jorm Posted December 12, 2009 Report Share Posted December 12, 2009 Dear sirs What is the equipment to make best possible quality pictures? then i mean a step upwards from the known minilabs, if that is better quality? Lets say price is not issue, only question is quality. Best regards jens Quote Link to comment Share on other sites More sharing options...
photo7studio Posted December 12, 2009 Report Share Posted December 12, 2009 Ink jet dry lab. Quote Link to comment Share on other sites More sharing options...
philspectrum Posted December 13, 2009 Report Share Posted December 13, 2009 I think you might invest more in image processing software. I have seen awesome results from most labs. Agree that 12 colour inkjet isbeyond comparrison. Z series from HP? I would look at software. Quote Link to comment Share on other sites More sharing options...
bubar Posted December 14, 2009 Report Share Posted December 14, 2009 It depends what you're calling quality !!! The good question is : what level of quality is expected by your customers, or is it for yourself ? (I also have the virus ) The one you find at next door chemist (mass retail ) or the one used for professionnal prints that finish in museums ? If you choose the first any dry lab would fit (but that's not what I'm calling quality) just try to print a properly exposed image with an adobe RGB profile...or a simple grey scale... ;D those printers are design for 95% of the consumers not for fine art printing The other solution are quite expensive but we can start speaking about quality. Basicaly : two main technologies at the moment : silver halyde and inkjet ( photography VS digigraphy ) Both give excellent results (as long as you understand the full process....IT degree highly recomended :-/ ) The main concerns should be : -durability (of the machine and its manufacturer) - consumables cost and availibility (now and in five years) If you have a look in a few photographic galleries and museum , main printing processes are still C-print or B&W on fiber paper You start finding some inkjet prints, but mainly for the wider sizes (32'' wide or more) For the referenece, have a look at Ansel Adams prints (he was photographer AND printer) and his different studies about photographic quality. There's also the Fresson process ...( don't expect any prints bellow £500 ).... and plenty others....but I'm now totally out of topic So to reply quickly : durst or epson for the widest format Fuji or Kis wet lab for the rest Quote Link to comment Share on other sites More sharing options...
Chopper Posted December 14, 2009 Report Share Posted December 14, 2009 I would look at all the different equipment on the market and gain your own opinion before making a decision on which manufacture, all equipment has its own for's and against! Quote Link to comment Share on other sites More sharing options...
Kevbo37 Posted December 14, 2009 Report Share Posted December 14, 2009 I don't believe the dry labs can compare to the sharpness of a laser wetlab Like Fuji, Noritsu, or Agfa for small prints or the Durst or Oce for large format. Quote Link to comment Share on other sites More sharing options...
cecilh Posted December 17, 2009 Report Share Posted December 17, 2009 The Kodak Apex must be good if it's the same quality as the G4s, I've heard that Tetenal have a fantastic offer on the Apex at the moment. Unfortunately we will have to try and get another couple of years from our wet lab so are not in the market. Quote Link to comment Share on other sites More sharing options...
Dakar75 Posted December 17, 2009 Report Share Posted December 17, 2009 I think NORITSU printers are the best there is Quote Link to comment Share on other sites More sharing options...
Mark Amies Posted December 21, 2009 Report Share Posted December 21, 2009 By the way - Kodak's Apex system is dye diffusion thermal transfer - or to give it it's more common name , dye sub. I am mentioning this because ithad been neglected in the thread. Quote Link to comment Share on other sites More sharing options...
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